“It needs to be more than a building” – Carriageworks revival project commences
After a five-month review of its operations, the struggling Carriageworks makes a bid to regain its place on the cultural map.
After a five-month review of its operations, the struggling Carriageworks makes a bid to regain its place on the cultural map.
The latest arts appointments and departures.
Three major dance works complemented by discussions, classes and a Marrugeku symposium warm up Sydney's arts and culture precinct.
Carriageworks has appointed Fergus Linehan as its next Chief Executive Officer.
Meryl Tankard’s Kairos proves easy to watch and to listen to but its full meaning remains elusive.
Mythology, sexuality and even gravity are up for re-examination in Holding Achilles, a production which has taken its makers in new and demanding directions.
Luke Hayward, Jenni Large, Sophia Ndaba and Charmene Yap discuss the works they are creating for New Breed, which draw on vampire culture, COVID, Dadaism and the calming impact of bubblegum pink.
Australia's largest generator of new choreographic works has announced Tra Mi Dinh and Jenni Large as this year's award recipients.
"I’m still pinching myself," says Lake as her career hits top gear with her latest work, Manifesto.
More artists and performers are withdrawing from Sydney Festival as part of a boycott protesting the festival receiving funding from the Israeli embassy.
A new, experimental arrangement of Sue Healey’s iconic moving-image portraiture.
Run by Moogahlin Performing Arts, this year's festival will develop six new works by First Nations storytellers, four of which will be performed live this weekend as part of Sydney Festival.
Janáček’s The Diary of One Who Disappeared is given an exquisite staging before a bold new work tears it to shreds in this intelligent and entertaining double bill from Sydney Chamber Opera.