Review: The Oresteia (Sydney Chamber Opera, Carriageworks & ELISION)
From antiquity to the present day, Imara Savage’s production underlines the intrinsic link between theatre and ritual.
From antiquity to the present day, Imara Savage’s production underlines the intrinsic link between theatre and ritual.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
Fiona Winning nurtured generations of artists and played a key role in the creation of Carriageworks as a contemporary arts hub.
Emmanuelle Mattana's hit play exposes the roots of male privilege as private school boys gather to debate the merits of feminism.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
Ex-Hamlets Brendan Cowell, Ewen Leslie and Toby Schmitz make merry with the concept of ‘lived experience’ in a comic exploration of actorly trauma.
The latest arts appointments and departures.
Former dancer and choreographer Adrian Burnett to shape Carriageworks’ programming and lead the delivery of national and international projects.
After a five-month review of its operations, the struggling Carriageworks makes a bid to regain its place on the cultural map.
The latest arts appointments and departures.
Three major dance works complemented by discussions, classes and a Marrugeku symposium warm up Sydney's arts and culture precinct.
Carriageworks has appointed Fergus Linehan as its next Chief Executive Officer.
Meryl Tankard’s Kairos proves easy to watch and to listen to but its full meaning remains elusive.