Two national tours, two festivals and some curious collaborations – ASQ's master plan for fostering "connection and discovery" in 2027.

Curating his final season with Queensland Symphony Orchestra, Umberto Clerici looks to the past and to the future in his last hurrah.

Latin rhythms, suspenseful harmonies and compelling solos in a blend of the old and new.

With a major world premiere on every program, Omega Ensemble brings a fresh, contemporary focus to its 2026 season.

Discover the music of Australian composers, from Christopher Hale to Sophie Hutchings.

Cameron Lam’s September playlist creates a listening experience that keeps speeding up, using local Classical, Jazz and Sound Art.

Sam Weller and Hannah Solveij combine for a challenging peek into possible future directions for concertgoers.

We're celebrating our 250th issue this month. Rather than look back, we've asked leaders in the field to imagine what music might be like when we publish Limelight #500.

Australia's William Barton, rising German flute player Meret Louisa Vogel and Canadian piano star Avan Yu are on the guest list.

Cameron Lam’s monthly Australian Art Music playlist once again features the piano, both solo and in ensembles across Classical, Jazz, and Sound Art.

Liza Lim talks to Maddy Briggs about her curatorial vision for the Melbourne Symphony Orchestra’s 2025 Metropolis Festival.

A punchy Prokofiev outshone by James Ehnes’ stunning Barber concerto.