There's too much going on in Theresa Rebeck's Bernhardt/Hamlet but actor Kate Mulvany exerts huge gravitational pull at its centre.

Walsh Bay Arts Precinct Manager Sally Noonan to head Melbourne Theatre Company and bolster its post-Covid recovery.

Anne-Louise Sarks discusses her path to directing, her special rapport with Kate Mulvany, and Sarah Bernhardt’s bravado.

Melbourne Theatre Company's Sunday is a brilliantly realised ode to some of the most important figures in modern Australian art.

Anthony Weigh's play breathes imaginative life into the story of Sunday Reed and the Heide circle.

Limelight's hard-working team published over 750 reviews in 2022. But what were the critiques that really clicked with our readers?

What do our theatre companies have on offer in the year ahead?

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

A Christmas Carol has become a yuletide tradition. We explore its magic with the creative artists behind the various adaptations that are about to grace our stages.

The latest arts appointments and departures.

Dennis Kelly's play has been a hit globally, but it has a problematic script, which this MTC production has not been able to resolve.

Virginia Gay’s adaptation of the French classic is truly, madly, deeply modern.