Review: A Streetcar Named Desire (Melbourne Theatre Company)
This classic-with-a-twist interpretation of Tennessee Williams’s masterpiece mostly works, especially Nikki Shiels’s magnetic Blanche DuBois.
This classic-with-a-twist interpretation of Tennessee Williams’s masterpiece mostly works, especially Nikki Shiels’s magnetic Blanche DuBois.
Samuel D Hunter's play retains its emotional power and humour 12 years after its premiere and in the wake of the flawed 2022 film version starring Brendan Fraser.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
Creative Australia is supporting 10 arts tours set to reach over 80 locations nationally through Playing Australia.
A soul-searching, bracingly honest reflection by two gay men on the complexities of their spiritual and cultural inheritance.
Belinda McClory shines in Andrew Bovell’s family drama about flawed relationships tested by seismic change.
With roots in 1990s online culture and horror movies, Bridget Mackey's two-hander explores desire, grooming and abuse.
Nadine Garner and Max McKenna are compelling as mother and daughter in this insightful, nuanced play about mental illness.
MTC, Melbourne Opera, Richard Mills and Kinky Boots among the companies, artists and shows recognised in a marathon Green Room Awards ceremony.
We're seeing more disability on our stages and screens than a decade ago, but there is still plenty to be done.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
Loss of Creative Australia organisational funding sees the shutters go up at Melbourne's historic La Mama.
This indie production of the Hitchcock parody play doesn’t always click, but comic energy and clever stagecraft will win audiences over.