Review: Who’s Afraid of Virginia Woolf? (Red Stitch Actors’ Theatre)
Individual brilliance on display but ensemble scenes lack spark in this intimate staging of Edward Albee's booze-fuelled cage fight.
Individual brilliance on display but ensemble scenes lack spark in this intimate staging of Edward Albee's booze-fuelled cage fight.
Dickens’ festive classic is cleverly reinvented with cross-cultural humour, heart and Christmas magic.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
Flagging spoilers, Elise Esther Hearst opens up about A Very Jewish Christmas Carol.
Patricia Cornelius adapts her own novel about a family torn apart by the ripples of war.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
Casting Robert Menzies as King Lear will give audiences a fresh angle on this story of majesty and succession, says Bell Shakespeare's Peter Evans.
Australian works are "front and centre" in Melbourne Theatre Company’s 12-play 2024 season, says Anne-Louise Sarks.
John Farnham, Opera Australia, Musica Viva Australia and two state symphony orchestras are among artists who have shown support for the Voice to Parliament.
Artistic Director Matthew Lutton is determined not to play safe in 2024. “There isn’t a moment of domesticity or realism in sight."
Zahra Newman discusses growing up in Jamaica, playing Billie Holiday on stage, and her regret at not playing an instrument.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
A short, sharply written double bill showcases great British playwright Caryl Churchill.