Introducing the March 2023 issue of Limelight
This month we interview Sir Simon Rattle, violinist Jennifer Koh and Àlex Ollé of La Fura dels Baus, and look at the importance of breath control for musicians.
This month we interview Sir Simon Rattle, violinist Jennifer Koh and Àlex Ollé of La Fura dels Baus, and look at the importance of breath control for musicians.
A night around the old piano is transformed into a fully-fledged exploration of humanity, with Opera Australia's world-renowned chorus in the spotlight.
As its La Bohème nears its 200th performance, Opera Australia announces 200 tickets at $2 a pop in a bid to encourage the opera-curious.
Solitude and sacrifice. Ahead of his Melbourne and Sydney appearances, tenor Michael Fabiano reveals what it takes to bring a character to life.
Limelight's hard-working team published over 750 reviews in 2022. But what were the critiques that really clicked with our readers?
Take a look back at the 12 biggest news stories of the past year – the good news, the sad news and the stories that rocked the boat.
What do our opera and dance companies have on offer in the year ahead?
Adriana Lecouvreur remains a great testament to the sacrifices artists make for their love of the theatre. We delve into its upcoming season at the Sydney Opera House.
A round-up of our recent news reports.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
British director Jo Davies discusses the things she's keen to address at OA, and explains why she doesn't think it's a problem that this is her first AD role.
In line with its ongoing commitment to the arts, BMW will partner with Opera Australia to present its large-scale BMW Opera for All event in Melbourne.
Going to Cockatoo Island is a fun part of the experience, but despite solid performances, the production doesn't entirely live up to the industrial setting.