Review: Donald Runnicles conducts Mahler’s Sixth Symphony (Sydney Symphony Orchestra)
Hammer time: Donald Runnicles carves Mahler’s mighty Tragic masterpiece.
Hammer time: Donald Runnicles carves Mahler’s mighty Tragic masterpiece.
The Australian National Academy of Music launches a “time capsule” project capturing three decades of institutional life through the voices of those who have shaped it.
Two English 20th-century masterpieces in dynamic performances.
A program packed with contrast and superb music-making.
In a year defined by ambition, authority and musical impact, three towering names claim the honours.
We asked both our critics and readers to vote for the classical musicians who made the biggest impression in 2025. So, who did they choose?
A major milestone for one of the most respected figures in classical music, but the numbers show the sector is still very much a boys' club.
Big themes and big emotions dominate – from Mozart’s Requiem to Mahler’s symphonies to Tippett’s humanist oratorio.
Limelight published hundreds of live music, theatre, dance and opera reviews this year. But what were the critiques that really clicked with our readers?
Who are the Australian and international artists who most thrilled and entertained you this year? Check out the shortlists here.
Joy unconfined as Simone Young brings SSO’s season to a spectacular close.
Two of the world’s best Nibelungs and a stunning Brünnhilde debut raise the bar as Young’s already outstanding Ring Cycle continues.
A deeply moving performance from cellist Kian Soltani is among the highlights of an outstanding program.