There are times when Guy Noble can’t help longing for reclining, cinema-style seating at the theatre.

The wrappers come off the premiere of a chamber opera and the latest from Hot Brown Honey in a program spotlighting the work of female artists.

The ooh-ah factor is sky-high even if the show’s conceptual underpinnings of The Mirror don’t last the distance.

"It is what I burn for, it is what I breathe." A new documentary, Knowing the Score, brings the audience up to date with conductor Simone Young.

The Sydney Symphony Orchestra inaugurated its 2023 season and covered itself in glory, revelling in the Concert Hall’s enhanced acoustics.

A cleverly-programmed delve into Louis Andreissen soared to gorgeous minimalistic highs, despite distracting technical issues on the night.

Amadeus, Peter Shaffer’s best-known play, rings loudly and clearly in this new production that kicks off the Sydney Opera House’s 50th year. Loud and clear, but hollow.

Take a look back at the 12 biggest news stories of the past year – the good news, the sad news and the stories that rocked the boat.

Adriana Lecouvreur remains a great testament to the sacrifices artists make for their love of the theatre. We delve into its upcoming season at the Sydney Opera House.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

Eight international and Australian artists, including The Gesualdo Six, the Brodsky Quartet, Andrea Lam and James Morley, will perform in the intimate SOH space.

The Opera Australia CEO explains how she moved from playing the clarinet to arts management, and how she was once a whiz on the WX7, a Yamaha MIDI controller.