Review: Iolanta (West Australian Opera)
Tchaikovsky's final opera gets a clever and thoughtful reworking that gave Iolanta the chance to tell her own story.
Tchaikovsky's final opera gets a clever and thoughtful reworking that gave Iolanta the chance to tell her own story.
The Western Australian soprano discusses her role in WA Opera's Iolanta, which centres the lived experience of the blind and vision impaired community, and the language challenges inherent in opera.
West Australian Opera, in collaboration with Blind Citizens WA, gives Iolanta, the blind princess in Tchaikovsky's opera, the chance to tell her own story.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
What have our opera and dance companies programmed this year?
This highly entertaining, accessible new family opera, performed in the Noongar language with surtitles, deserves further performances and exposure.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
West Australian Opera is set to premiere an opera sung entirely in Noongar
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
A compelling Cav & Pag, that unfortunately struggles against the inherent violence of the libretti.
Much-loved soprano Emma Matthews is committed to teaching at WAAPA but still loves singing. She discusses her role debut as Nedda in Pagliacci for West Australian Opera.
The winners of this year’s Performing Arts WA Awards include Yirra Yaakin Theatre Company’s Hecate, Black Swan’s Oklahoma!, and WA Opera's Così Fan Tutte.