DAMU-trained scenographer Jansson J. Antmann designed the Czech premiere of Andrew Lloyd Webber’s Tell Me on a Sunday. A presenter on 2MBS Fine Music Sydney and Editor of LaVie in Europe, he was Darlinghurst Theatre Company’s publicist, a regular on ABC Overnights and acting Deputy Editor at Limelight, where he is an ongoing contributor.
With music performed by Elena Kats-Chernin, Sydney Philharmonia Choirs and Taiko drummers, choreographer Paulina Quinteros has fashioned a genre-defying display that deserves more than one viewing.
The Australian Ballet and Telstra have announced that Erin O’Rourke is the winner of the 2022 Telstra Emerging Choreographer Award for her work ‘yellow mellow’.
As he prepares for Sydney Symphony Orchestra’s upcoming People’s Choice and Fidelio concerts, Concertmaster Andrew Haveron talks to us about exploring new territory in the world of opera.
Artistic Director Rafael Bonachela has announced he will stay on for five more years, as the SDC prepares for its return to the Sydney Opera House and a busy touring schedule.
Ginar is a Torres Strait Islander word for dance, and the name of a new dance company paying homage to the land and sea, from the northern tip of Australia to the border of Papua New Guinea.
Opera Australia has earned its stripes as one of the world’s leading presenters of Italian opera – a legacy outgoing Artistic Director Lyndon Terracini can fully take pride in.
With her breathtaking performance as Odette/Odile, prima ballerina Kateryna Chebykina carries the weight of a company that wears its heart on its sleeve.
As Anthony Warlow prepares to helm the Titanic at Melbourne's Town Hall, he discusses Maury Yeston's score, as well as his love of Gilbert & Sullivan and early 20th-century operetta.
Benjamin Millepied, former Principal with New York City Ballet, Director of Dance at the Paris Opera Ballet and choreographer of Black Swan, discusses his latest film and the influence of Jerome Robbins.
An adaptation of Miles Franklin’s My Brilliant Career features in Li Cunxin’s 11th season as Artistic Director, with Liam Scarlett’s A Midsummer Night’s Dream set to enchant regional audiences.
We look at the work of Christian Spuck, Peter Sellars, Barrie Kosky and Romeo Castellucci to determine whether the oratorio has regained its long-lost theatrical mantle.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
As polling continues, composers Elena Kats-Chernin and Ella Macens reflect on being nominated for next month's Sydney Symphony Orchestra People’s Choice Concerts.
