Review: Tracker (Australian Dance Theatre, ILBIJERRI Theatre Company & Sydney Festival)
Daniel Riley's Tracker is a profound work that deftly transports the audience onto Country through the power of storytelling.
DAMU-trained scenographer Jansson J. Antmann designed the Czech premiere of Andrew Lloyd Webber’s Tell Me on a Sunday. A presenter on 2MBS Fine Music Sydney and Editor of LaVie in Europe, he was Darlinghurst Theatre Company’s publicist, a regular on ABC Overnights and a regular contributor of features and reviews at Limelight.
Daniel Riley's Tracker is a profound work that deftly transports the audience onto Country through the power of storytelling.
Powerhouse performances by baritone Andrei Kymach and bass-baritone Yuri Kissin deliver a solid start to Opera Australia's 2023 season.
Fresh sounds, big events, little gems, cross-genre collaborations, world premieres; it’s a new world for arts organisations, so what do they have in store this year?
What do the festivals have on offer in the year ahead?
Adriana Lecouvreur remains a great testament to the sacrifices artists make for their love of the theatre. We delve into its upcoming season at the Sydney Opera House.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
Featuring an immersive soundscape by Nick Wales, and a new Sulman Award-winning accommodation wing, Arthur Boyd’s homestead invites everyone to rediscover nature’s beauty.
Sydney’s classical music scene gets a breath of fresh air thanks to a new orchestra, a new composer, and a conductor with an exhilaratingly fresh take on the repertoire.
As the groundbreaking Japanese piano manufacturer celebrates its 95th anniversary, we look back at founder Koichi Kawai's legacy and the company's commitment to excellence, accessibility and patronage.
As Emma Matthews prepares to debut as Alcina, the role that earnt Joan Sutherland the moniker "La Stupenda", Peter Coleman-Wright lets us in on a surprise awaiting National Opera audiences.
In line with its ongoing commitment to the arts, BMW will partner with Opera Australia to present its large-scale BMW Opera for All event in Melbourne.
Celebrating his 20th year as Artistic & Music Director, Brett Weymark has put together a program that focuses on voice, energy and joy, and features popular favourites along with new commissions by First Nations and Australian composers.
Superb performances by two last-minute jump-ins, their fellow cast members, Sydney Philharmonia Choirs and the SSO under Simone Young make the most of Beethoven’s troubled piece.