DAMU-trained scenographer Jansson J. Antmann designed the Czech premiere of Andrew Lloyd Webber’s Tell Me on a Sunday. A presenter on 2MBS Fine Music Sydney and Editor of LaVie in Europe, he was Darlinghurst Theatre Company’s publicist, a regular on ABC Overnights and a regular contributor of features and reviews at Limelight.
Taking up residency at the Darwin Entertainment Centre, DSO presents a program for music lovers of all ages, combining classics with works by First Nations and Australian artists and composers.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
This month’s performance highlights from ABC Classic, independent radio and streaming.
From the power of choirs to the power of young people, the Adelaide Festival’s new Artistic Director Ruth Mackenzie shares her thoughts on next year’s program, and the future.
With music performed by Elena Kats-Chernin, Sydney Philharmonia Choirs and Taiko drummers, choreographer Paulina Quinteros has fashioned a genre-defying display that deserves more than one viewing.
The Australian Ballet and Telstra have announced that Erin O’Rourke is the winner of the 2022 Telstra Emerging Choreographer Award for her work ‘yellow mellow’.
As he prepares for Sydney Symphony Orchestra’s upcoming People’s Choice and Fidelio concerts, Concertmaster Andrew Haveron talks to us about exploring new territory in the world of opera.
Artistic Director Rafael Bonachela has announced he will stay on for five more years, as the SDC prepares for its return to the Sydney Opera House and a busy touring schedule.
Ginar is a Torres Strait Islander word for dance, and the name of a new dance company paying homage to the land and sea, from the northern tip of Australia to the border of Papua New Guinea.
Opera Australia has earned its stripes as one of the world’s leading presenters of Italian opera – a legacy outgoing Artistic Director Lyndon Terracini can fully take pride in.
With her breathtaking performance as Odette/Odile, prima ballerina Kateryna Chebykina carries the weight of a company that wears its heart on its sleeve.
As Anthony Warlow prepares to helm the Titanic at Melbourne's Town Hall, he discusses Maury Yeston's score, as well as his love of Gilbert & Sullivan and early 20th-century operetta.
Benjamin Millepied, former Principal with New York City Ballet, Director of Dance at the Paris Opera Ballet and choreographer of Black Swan, discusses his latest film and the influence of Jerome Robbins.
