An already superb first weekend at the G&S Fest culminates in a glorious showcase of Arthur Sullivan’s choral credentials.

This interactive staging of Gilbert & Sullivan’s first big hit puts the State Opera chorus front and centre, filling the Adelaide District Court with its power.

Ahead of Opera Australia’s Tannhäuser in Concert, the Finnish bass talks to Limelight about his passion for Wagner and those who inspire him.

The Grammy Award-winning singer and the first black woman to sing at Bayreuth passed away on Sunday.

The Australian Ballet puts its best foot forward with a sexy, technically brilliant performance of Balanchine’s iconic ballet.

Two world premieres see Daniel Riley break new ground, while Alice Topp rejoices in our national company's diamond anniversary.

The celebrated bass-baritone tells us why he’s bringing opera back to the former 'Bayreuth of the North'.

Saving the best for last, this year’s festival rings down the curtain with a world premiere and a moody reading of Schubert’s Octet.

Deborah Cheetham Fraillon plans to restore the arts to their pride of place, and to give young artists a much-needed confidence boost.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

The Marais Project takes us on a spine-tingling journey through 400 years of music and leaves the audience begging for more.

John Bell and Simon Tedeschi’s delightful portrait of Mozart is part recital, part cabaret and a must-see for anyone who wants to know the man behind the legend.