Review: Escolania de Montserrat (Adelaide Festival)
The heavenly voices of the world’s oldest surviving boys’ choir deliver a program that gives timeless liturgical works a surprising modern twist.
DAMU-trained scenographer Jansson J. Antmann designed the Czech premiere of Andrew Lloyd Webber’s Tell Me on a Sunday. A presenter on 2MBS Fine Music Sydney and Editor of LaVie in Europe, he was Darlinghurst Theatre Company’s publicist, a regular on ABC Overnights and acting Deputy Editor at Limelight, where he is an ongoing contributor.
The heavenly voices of the world’s oldest surviving boys’ choir deliver a program that gives timeless liturgical works a surprising modern twist.
Exiled from their homeland, the performers of Belarus Free Theatre deliver an urgent warning against complacency in the face of rising authoritarianism.
Toxic masculinity is put under the microscope as Shaun Parker’s testosterone-infused dance work KING returns for Sydney WorldPride before touring Europe.
From the Olympics to opera, Àlex Ollé discusses La Fura dels Baus.
The ballet icon’s life and work undergo a forensic examination that pulls no punches.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
A night around the old piano is transformed into a fully-fledged exploration of humanity, with Opera Australia's world-renowned chorus in the spotlight.
Solitude and sacrifice. Ahead of his Melbourne and Sydney appearances, tenor Michael Fabiano reveals what it takes to bring a character to life.
Taking up his new position in Honolulu, the Australian-Chinese maestro assures us he will be back as he embarks on his latest cross-cultural crusade.
Daniel Riley's Tracker is a profound work that deftly transports the audience onto Country through the power of storytelling.
Powerhouse performances by baritone Andrei Kymach and bass-baritone Yuri Kissin deliver a solid start to Opera Australia's 2023 season.
Fresh sounds, big events, little gems, cross-genre collaborations, world premieres; it’s a new world for arts organisations, so what do they have in store this year?
What do the festivals have on offer in the year ahead?