Bell Shakespeare 2026: Tyranny, terror … and stage mothers?
Autocratic behaviours in their myriad forms in a Bell Shakespeare season designed to excite conversation.
Jason joined the Limelight team in early 2023 as Digital Editor. He has served as Arts Editor of Sydney City Hub, editor of AUSTAR magazine, an online producer at Fairfax, and has reviewed theatre for The Sun-Herald (2006-2009), The Sydney Morning Herald (2009-2017), The Saturday Paper and Guardian Australia. He was co-founder/co-editor of the audreyjournal platform from 2017–22 and Publications Manager for the 2022 Sydney Film Festival.
Autocratic behaviours in their myriad forms in a Bell Shakespeare season designed to excite conversation.
Spanning Generations X to Z, this Bridge proves too flimsy to carry us all the way across.
After joining The Australian Ballet in 1962, Colin Peasley went on to exert a profound influence on the company.
Killing off a beloved fictional character is not as easy as it seems in this delightful, nostalgia-fuelled dramedy by Melanie Tait.
Two nights of fascinating music from rising stars and improvising veterans.
The SSO's season finale was always a given, says Chief Conductor Simone Young. The opener a flash of inspiration. And in between? All kinds of surprises.
Invited by Dame Peggy van Praagh to be a Principal with the newly formed Australian Ballet in 1962, Welch was central to the company’s formative repertoire.
Bass-baritone James Young has won the $40,000 prize, with the judges unanimously declaring him "ready to fly".
Increase driven by a rise in listening, learning, and physical media collection-building, report concludes.
Formed in 2022 by childhood friends, The Incredibows bowled over the judging panel of this year's Strike A Chord final.
A queer clown show with bite takes aim at Sydney’s millennial rich, their bathroom renos and their brats.
“The goal isn’t just growth. It’s hunger. Risk. Joy." Helpmann Award-winning Dean Bryant to take over Melbourne's Malthouse.
Nine shows will share in $1.75 million fund to take performances to audiences in regional and remote communities.