Linda May Han Oh’s Ephemeral Echoes explores the nature of transience and time, and brings the composer home to Perth for its world premiere.

The original scores tell you how early music should be played, says Jordi Savall.

Helen Svoboda and Katie Yap will participate in the two-year program for emerging chamber music leaders, which supports the development of a performance project.

While some of its notes missed their mark, River City Voices showcased a bold approach that was refreshing to see.

Almost all that glitters really is gold in Isserlis’s cello recital.

Cameron Lam looks back at a year of releases in this Australian Art Music playlist, a 2022 retrospective.

Led by guest director and harpsichordist Chad Kelly, this celebration of the music of CPE Bach was a fine way to round out the Australian Haydn Ensemble’s 10th anniversary season.

Co-Artistic Directors Trish and Paul Dean have created a fascinating season, in which each of the three programs has a strong theme, with visual elements enhancing the experience.

New research finds a 27% gender pay gap in the arts, almost double the current national average, while women artists from non-English speaking backgrounds are further disadvantaged.

Eight international and Australian artists, including The Gesualdo Six, the Brodsky Quartet, Andrea Lam and James Morley, will perform in the intimate SOH space.

Backstage Music spotlights the works of artists with disability in a program rich with unique practices and fascinating considerations.

This thoughtful recital was an ideal showcase for a very fine trio and a new, rather unique, highly atmospheric concert space for Adelaide.