Review: 70th Anniversary Gala (Opera Australia)
Avoiding greatest-hits predictability, the national opera company celebrates a milestone birthday with a satisfyingly thoughtful, ensemble-driven program.
Avoiding greatest-hits predictability, the national opera company celebrates a milestone birthday with a satisfyingly thoughtful, ensemble-driven program.
Opera meets outer space in this cosmic collaboration between science, technology and the arts.
This mini-festival of short works underlines the merits of OA’s Young Artist Program and the career-readiness of its graduates.
With TwoSet Violin for its cover stars, the June issue of Limelight is all about artists reshaping the ways in which audiences engage with the arts.
With a highly gifted and vocally balanced cast, this is ensemble performance at its best.
Shipshape and Bristol fashion. No weak links in this WASO Wagner led by British baritone Christopher Maltman.
Sixty projects to share in more than $1 million in funding; State Opera South Australia and Opera Hong Kong to partner up for Hansel & Gretel.
A masterclass in whimsy, humour and quirk, with inspired direction and fine singing.
Pinchgut Opera melds the Old Testament with Aussie holiday tradition in a reimagined, psychologically driven staging of Scarlatti’s The First Murder.
Mozart’s legendary libertine is back in this modest new production that can’t solve the opera’s misogyny but does justice to its timeless music.
Against the odds, the Australian premiere of Jonathan Dove and Graham Vick’s reduction pays off.
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From Barrie Kosky finding the new in Wagner to Sheridan Harbridge on women who refuse to conform, May's issue of Limelight is a celebration of talent, resilience and audacity.