A novel approach to completing Vivaldi's unfinished opera pays dividends.

Michael Nyman’s chamber opera about a man with a curious neurological condition makes a rare appearance for its 40th anniversary.

Beetlejuice, Victorian Opera's Katya Kabanova and MTC's Rebecca among the award magnets in this year's celebration of Melbourne’s live performance sector.

A fine cast led by Lauren Fagan as Tatyana brings Kasper Holten’s cerebral production to life, but it is Nicholas Jones as Lensky who steals the show and our hearts.

A fine production engages the mind; the richness and depth of Verdi’s melodic invention stuns the senses.

From Mahler’s audacious First Symphony to site-specific bells and Sting's working class roots, April’s issue explores music, place and identity.

The soprano shares her hopes and dreams and why recording is the hardest thing you'll ever do.

The British director "brings deep knowledge of the art form, strategic insight and proven collaborative leadership" says OA.

A profound musical and dramatic experience, bringing the tragedy of Orpheus and Eurydice to electrifying life.

Cabaret in format but operatic in scope, Julia Bullock’s gloriously terrifying “reincarnation” of Joséphine Baker will shake you to your core.

Presented alongside Verdi’s AIDA, Romeo Castellucci's staging of Bartók’s Bluebeard’s Castle will be a keystone of the 2027 Adelaide Festival.

An efficient, glass-walled descent into Kafka’s world of systems, stagnation and spiritual suffocation.