Review: La Cenerentola (State Opera South Australia)
With a highly gifted and vocally balanced cast, this is ensemble performance at its best.
With a highly gifted and vocally balanced cast, this is ensemble performance at its best.
Shipshape and Bristol fashion. No weak links in this WASO Wagner led by British baritone Christopher Maltman.
Sixty projects to share in more than $1 million in funding; State Opera South Australia and Opera Hong Kong to partner up for Hansel & Gretel.
A masterclass in whimsy, humour and quirk, with inspired direction and fine singing.
Pinchgut Opera melds the Old Testament with Aussie holiday tradition in a reimagined, psychologically driven staging of Scarlatti’s The First Murder.
Mozart’s legendary libertine is back in this modest new production that can’t solve the opera’s misogyny but does justice to its timeless music.
Against the odds, the Australian premiere of Jonathan Dove and Graham Vick’s reduction pays off.
Log in to read the flipbook version of Limelight's May 2026 magazine.
From Barrie Kosky finding the new in Wagner to Sheridan Harbridge on women who refuse to conform, May's issue of Limelight is a celebration of talent, resilience and audacity.
Obsessed with The Drover’s Wife as a child, Leah Purcell has adapted it as a play, novel and film. Then composer George Palmer asked if she would collaborate on an opera.
After directing Wagner’s Ring Cycle in Hannover, Barrie Kosky vowed he would never tackle it again. Then The Royal Ballet & Opera called.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
The Artistic Director of Victorian Opera tells us about his passion for G&S and the musical celebration he is directing for Opera Australia.