Ahead of her title-role debut in Opera Australia’s The Merry Widow, soprano Emma Pearson tells us why operetta deserves pride of place alongside opera.

With TwoSet Violin for its cover stars, the June issue of Limelight is all about artists reshaping the ways in which audiences engage with the arts.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

A round-up of our recent news reports.

This brilliantly conceived production of Scarlatti's 1707 oratorio is set in contemporary times, on a beach, with superb performances all round.

Musicals and harbour spectaculars help company recover from multi-million-dollar deficit.

The renowned Australian composer will write the music for a new opera based on Wim Wenders' classic 1987 film.

A new opera confronts our raw history with the highest echelon of Australian performers.

Avoiding greatest-hits predictability, the national opera company celebrates a milestone birthday with a satisfyingly thoughtful, ensemble-driven program.

Opera meets outer space in this cosmic collaboration between science, technology and the arts.

This mini-festival of short works underlines the merits of OA’s Young Artist Program and the career-readiness of its graduates.

With TwoSet Violin for its cover stars, the June issue of Limelight is all about artists reshaping the ways in which audiences engage with the arts.