Already postponed once, Franco Zeffirelli’s famed arena production was to have played in Adelaide in early 2027.

Deft choices do justice to Brahms’ very “human” requiem. What more could one ask for?

Opera Australia’s Head of Music explains how he moved from playing classical piano to conducting opera, and why The Drover’s Wife is so powerful.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

Our mid-winter edition celebrates orchestral milestones and boundary-breaking composers while pondering creativity in the algorithmic age.

Monteverdi's opera of lust and ambition gets a Mob makeover courtesy of Victorian Opera.

Dallas plants its flag with this new live recording of the Ring.

The de Hartmann renaissance continues apace with a fine 20th-century opera.

Erin Helyard on making his UK debut as conductor with Handel’s love-and-sorcery drama Amadigi di Gaula at the Buxton International Festival.

Rising costs have prohibited more than half of Australians from attending a live show, while classical music audiences grow, finds Creative Australia in its latest survey.

Brisbane-born soprano Xenia Puskarz Thomas receives $25,000 to support her rapidly-rising international career.

This concert of arias and duets was exceedingly well curated and performed; another feather in the cap for Artistic Director Ana de la Vega.