Review: Ngapa William Cooper (Adelaide Festival)
In this powerful song cycle, one man’s wish to do what’s right keeps hope for humanity alive – even in the face of genocide.
In this powerful song cycle, one man’s wish to do what’s right keeps hope for humanity alive – even in the face of genocide.
It’s time to move beyond “special programs” and one-off celebrations for female composers, argues Liza Lim.
Star soprano Chloe Lankshear discusses the universal language of Bach, the awe-inspiring sound of a choir, and performing with acclaimed conductor Stephen Layton.
Frank Martin's mighty Mass for Double Choir will require all the resources of Sydney Chamber Choir – and then some, writes Sam Allchurch.
The heavenly voices of the world’s oldest surviving boys’ choir deliver a program that gives timeless liturgical works a surprising modern twist.
This year’s Four Winds Music Festival will be a special one for the intergenerational Indigenous choir Djinama Yilaga.
Following the huge success of their song cycle Compassion, Lior and Nigel Westlake discuss their new collaboration, which has its world premiere at the Adelaide Festival.
Brisbane-based composer John Rotar receives a $3,000 prize and a performance of his work by UNSW’s chamber choir, Corde.
A subtly colourful celebration of Schubert’s Lieder by master-singer Matthias Goerne.
Limelight has learned of the death of former lawyer, ABC journalist and impresario Andrew McKinnon, aged 70.
Five mainstage performances bring the joy of singing to audiences in Melbourne, Ballarat and Bendigo – and to viewers at home.
Presenting the first-ever Adelaide Chamber Choir Festival which will join state vocal ensembles into a mass choir, the ACS offer three programs of music to accompany life experiences.
The internationally renowned soprano Siobhan Stagg returns home in triumph with a program of evocative art songs.