Review: Gassenhauer (Canberra International Music Festival)
Ensemble Liaison and collaborators Lina Tur Bonet and James Crabb ace the ‘groove test'.
Ensemble Liaison and collaborators Lina Tur Bonet and James Crabb ace the ‘groove test'.
A near-perfect musical fusion where the mystical and mythical meet.
A masterclass in whimsy, humour and quirk, with inspired direction and fine singing.
John Cranko’s evergreen masterpiece proves the perfect vehicle for Callum Linnane’s final performances with The Australian Ballet.
A “pocket-sized” production that began its life in a backroom of an actual bookstore continues to delight theatregoers around the globe.
Nowadays, audiences go to the ballet or to symphony concerts, but it wasn’t always that way.
A transcendent program co-curated and composed by Ross Edwards is the perfect send-off for outgoing Festival Director Catherine Harker.
Mozart’s legendary libertine is back in this modest new production that can’t solve the opera’s misogyny but does justice to its timeless music.
Virtuoso David Elton conjures trumpet magic in a chamber music setting.
A packed Concert Hall experiences the intricate interplay of music and image with composer Jung Jae-il leading the score for Bong Joon-ho's thriller.
John Bell and Elysian Fields join forces in a world premiere that reimagines Shakespeare and Wyatt through evocative, jazz-infused settings.
Against the odds, the Australian premiere of Jonathan Dove and Graham Vick’s reduction pays off.
A virtuosic hybrid approach to performing Baroque music with largely modern instruments.