Review: The Merry Widow (Opera Australia)
Making her title role debut, Emma Pearson invites us to the Silver Age of Viennese operetta, and the entire company comes to the party.
Making her title role debut, Emma Pearson invites us to the Silver Age of Viennese operetta, and the entire company comes to the party.
In director Graeme Murphy and conductor Vanessa Scammell’s hands, Lehár’s operetta reveals a very human heartbeat beneath all the froth.
Heartening to see an almost full Hamer Hall for this admirable MSO performance under the baton of Vasily Petrenko.
Music by an Australian great is about to be heard for the first time in London. Pianist Rosemary Tuck traces its journey to the concert stage.
Southern Cross Soloists' patchwork of Strauss waltzes, Beethoven and a piece reflecting on the LA fires doesn't quite hang together.
For its 30 year anniversary, SXS celebrates with four world premieres and three main stage concerts under two new Artistic Directors.
International rising stars Charlotte Saluste-Bridoux and Ignas Maknickas to perform exclusively. Soprano Alexandra Flood among the Australian talent to shine.
In the Awards’ 60th year, six young Australian artists win opportunities to work in some of the world's most esteemed opera houses.
Soprano Alexandra Flood, composer Simon James Phillips and guitarists Ziggy and Miles among the newly announced acts at the ballot-ticketed Sydney venue.
Featuring some of the world’s best singers, a new podcast lifts the lid on the opera world and helps young artists find their way in the industry.
Every time the Vienna-based Australian soprano Alexandra Flood returns home, young singers seek her advice about art song. Now she’s establishing a festival to ensure its future.
This double bill featuring an opera by Poulenc and a new Australian work, conceived by Ali McGregor with a score by Connor D'Netto, is captivating, intelligent, theatrical and emotional.
The Australian soprano's long-delayed home tour was worth the wait.