Martín and his Melbourne forces revel in the familiar and unfamiliar.

A brilliant celebration of music as a tool for storytelling, remembering and reckoning.

The pairing of MSO’s refined musicianship and Joyce DiDonato’s vocal artistry makes for a potent dose of musical medicine.

Nicholas McCarthy makes an impressive MSO debut, comfortably accounting for the technical and interpretative demands of Ravel's Piano Concerto for the Left Hand.

Benjamin Northey, the first-ever Professor of Conducting at the Sydney Conservatorium of Music, traces his career and discusses different approaches to conducting.

A round-up of our recent news reports.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

Heartening to see an almost full Hamer Hall for this admirable MSO performance under the baton of Vasily Petrenko.

Musical theatre stars Amy Manford and Josh Piterman sing a feast of favourites marred by sound issues.

Born without a right hand, British pianist Nicholas McCarthy is a champion of left-hand-alone repertoire with a busy international career.

A round-up of our recent news reports.

Morgan Pearse chats about his forthcoming engagements, including playing Mercutio in Roméo et Juliette for State Opera South Australia.