Review: Grandeur (Adelaide Symphony Orchestra)
Soprano Sara Macliver shines in an exciting concert of contrasts — two Baroque gems and two compelling new works.
Soprano Sara Macliver shines in an exciting concert of contrasts — two Baroque gems and two compelling new works.
Emily Sun’s sublime rendition of Bruch’s first violin concerto sparkles in a program of contrasting musical languages.
A historically informed reading, performed on historically informed instruments, this was the Emperor in magnificent old clothes.
A concert of great orchestral power featuring pianist Alexander Gavrylyuk’s magnificent performance of Tchaikovsky’s first piano concerto.
Legendary Finnish director Aki Kaurismäki’s 20th film is a gem, musing on the troubles of life and portents of the future.
ASO's Symphony Series wraps with a concert of rhapsodic, sensuous music and a magical performance by violinist Anthony Marwood.
An absorbing exploration of diverse musical traditions through some mesmerising improvisation and experimentation.
Outstanding performances from Kathryn Selby and her talented friends illuminate some essential piano trio literature.
An intensely moving and thought-provoking account of the life and death of a factory worker, told through his confronting poetry.
A concert of exquisite new music created to tell a personal and pertinent migration story.
A fine and very moving performance of Craig Hella Johnson’s oratorio concerning a murder that changed the world.
ASO and Ilya Gringolts deliver an enchanting performance of Prokoviev and a passionate, power-laden Sibelius first symphony.
A riveting performance of Turkish composer Fazil Say’s Violin Sonata No. 2 is the standout feature of Emily Sun’s wide-ranging recital program.