• Sign Up
  • Log In
  • Magazine
    • Latest Issue
    • All Issues
    • Log in support
  • News
  • Reviews
    • Live Reviews
    • Film Reviews
    • Recorded Reviews
    • Book Reviews
    • All Reviews
  • Features
    • Australian Accent
    • World Premiere
    • Cutting Edge
    • Rising Star
    • Guy Noble’s Soapbox
    • Decoding Cultural Leadership
    • All Features
  • Music
    • Opera
    • Guide to Australian Composers
    • Playlists
    • On The Record
    • All Music
  • Theatre
  • Dance
  • Events
    • View calendar
    • List Your Event
  • About Us
    • Advertise
    • Support Us
    • Licensing
    • Contributors
  • Tours
    • 2027 Orange Chamber Music Festival
  • Subscribe
  • Subscribe
  • Events
  • AFCM Tour
  • Competitions
  • Advertise
  • Donate
  • Limelight Arts Travel
  • Subscribe
  • Events
  • AFCM Tour
  • Competitions
  • Advertise
  • Donate
  • Limelight Arts Travel
  • Sign Up
  • Log In

  • Magazine
    • Latest Issue
    • All Issues
    • Log in support
  • News
  • Reviews
    • Live Reviews
    • Film Reviews
    • Recorded Reviews
    • Book Reviews
    • All Reviews
  • Features
    • Australian Accent
    • World Premiere
    • Cutting Edge
    • Rising Star
    • Guy Noble’s Soapbox
    • Decoding Cultural Leadership
    • All Features
  • Music
    • Opera
    • Guide to Australian Composers
    • Playlists
    • On The Record
    • All Music
  • Theatre
  • Dance
  • Events
    • View calendar
    • List Your Event
  • About Us
    • Advertise
    • Support Us
    • Licensing
    • Contributors
  • Tours
    • 2027 Orange Chamber Music Festival
  • Subscribe
Chamber, Classical Music
Live Review

Review: Beethoven’s Fourth (Australian Haydn Ensemble)

'Less is more' works doubly well for Australian Haydn Ensemble players.

May 5, 2026
Chamber, Festivals, Vocal & Choral
Live Review

Review: Luminescence and the Machine (Canberra International Music Festival)

A gripping collaboration from the place where high tech and the human voice meet.

May 5, 2026
Chamber, Classical Music
Live Review

Review: Howl (Omega Ensemble)

Omega gets wired for sound for a contemporary walk on the wild side.

May 4, 2026
Chamber, Classical Music
Live Review

Review: Tissages du Temps (Canberra International Music Festival)

A classic concert weaving French representations of time through the ages.

May 4, 2026
Chamber, Instrumental
Live Review

Review: Prohibition Rags (Canberra International Music Festival)

Speakeasy patina is brought to a high polish in an arresting display of skill and spirit.

May 4, 2026
Chamber, Classical Music
Live Review

Review: Meta Cohen and Olivier Messiaen: Prophecy & Eternity (fortyfivedownstairs Chamber Music Festival)

Cohen’s Delphi Songs and Messiaen's wartime Visions de l’Amen are paired in a delicately executed concert.

May 3, 2026
Chamber, Instrumental
Live Review

Review: Folk & Tango (Canberra International Music Festival)

Folk tunes taken to the next level with extraordinary care and precision.

May 2, 2026
Chamber, Classical Music
Live Review

Review: Schubert & Syrah (Canberra International Music Festival)

A fine Schubert sonata, expertly performed by Kristian Chong – with equally fine wines to wash down each movement.

May 2, 2026
Chamber, Classical Music, Festivals
Live Review

Review: Gassenhauer (Canberra International Music Festival)

Ensemble Liaison and collaborators Lina Tur Bonet and James Crabb ace the ‘groove test'.

May 1, 2026
Chamber, Experimental, Instrumental
features

Australian Accent – May 2026

Your essential coast-to-coast guide to the Australian music being played on our concert stages this month.

May 1, 2026
Chamber, Classical Music
CD and Other Review

Review: Carl Vine: Child’s Play (Goldner String Quartet, Piers Lane, Umberto Clerici)

Fine Vine, from the chamber rather than the cellar.

April 30, 2026
Chamber, Classical Music
Live Review

Review: Invitation to the Dance (Salut! Baroque)

Nowadays, audiences go to the ballet or to symphony concerts, but it wasn’t always that way.

April 28, 2026
Chamber, Classical Music, Festivals
Live Review

Review: Terra mater aestiva (Blackheath Chamber Music Festival)

A transcendent program co-curated and composed by Ross Edwards is the perfect send-off for outgoing Festival Director Catherine Harker.

April 27, 2026

Posts pagination

Previous 1 … 6 7 8 9 10 … 207 Next

Suite 606, Level 6
84 Pitt Street
Sydney NSW 2000

Contact Limelight

Quick Links

  • Subscribe
  • Back Issues
  • Advertising
  • Licensing
  • Help Centre
  • Editorial Policy
  • Privacy Policy
  • Contact

Arts news delivered to your inbox

Our free Weekly Newsletter delivers the latest arts news, reviews and features to your inbox each Saturday.

Sign up

© 2026 Limelight Arts Media Pty Ltd

Search

Please login to read this article.

[leaky_paywall_login]
No account yet! Click here to subscribe.