As she returns to Australia, Siobhan Stagg talks curating this year's Chamberfest and the recital programs in store.

Benjamin Britten’s take on the Henry James novella comes to life – and death – in this restrained yet psychologically rich Victorian gothic production.

Beneath the polished showmanship, this classical crossover showcase keeps music with a classical foundation alive for a new generation.

This ingenious soupçon of Debussy’s Pelléas et Mélisande has all the makings of a five-star night at the opera.

Global stars Ray Chen, Sumi Jo and Paul Lewis just some of the big names and musical reputations heading to the ACT's premier concert venue in 2027.

The Australian opera joins nominees from 24 countries in the prestigious international competition hosted in Vienna.

A fantastical G&S operetta, Previn's Streetcar, Mozart's Figaro and an airing of a new Aussie work among VO's 2027 highlights.

The October issue celebrates renewal, mentorship, musical discovery and the growing international presence of Australian artists.

The October issue celebrates renewal, mentorship, musical discovery and the growing international presence of Australian artists.

Laura Hansford talks about her new production of Bizet’s Carmen for State Opera South Australia, in which Don José is seen to fail as a human being rather than its heroine.

After working at Opera Australia for 19 years before becoming Director of Canberra Theatre Centre in 2019, Budd returned to OA as CEO in 2025. He believes music is a vital part of life.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.