Music as Superglue: The Live at Yours experiment
From synagogue gin bars to beanbag lounges, Vladimir Fanshil's Live at Yours series prioritises intimacy and innovation over convention.
From synagogue gin bars to beanbag lounges, Vladimir Fanshil's Live at Yours series prioritises intimacy and innovation over convention.
The German violinist and conductor explores the musical byways of his native land.
The King’s Singers turn Canberra’s Snow Concert Hall into a shared stage for a once-in-a-lifetime lesson in vocal artistry.
This month, Cameron Lam’s Australian Art Music playlist on repeat, with looping music across local Classical, Jazz, and Sound Art.
Daniel Verstappen's Sydney Opera House performance invites listeners into a world where diverse musical traditions come to an understanding.
Your essential coast-to-coast guide to the Australian music being played on our concert stages this month.
The future is bright for orchestras, argues Samuel Cairnduff – but first they must align artistic values with organisational practices and evolving social responsibilities.
Co-director and cellist Chris Howlett on how the Bendigo Chamber Music Festival gives back to a mighty, art-loving regional community.
Metal-enthused Hirofumi Uchino, visual musician Tim Gruchy and cellist Freya Schack-Arnott discuss their “retro-futurist hootenanny".
Humperdinck’s fairy-tale opera has captivated conductor Tahu Matheson since childhood. Now he returns to it with fresh insight.
Few bodies of music concentrate so much expressive power into so little space as Bach’s motets. Bach Akademie Australia's Madeleine Easton explains her approach.
This month, Cameron Lam’s first Australian Art Music playlist on Bandcamp showcases 13 pieces, new and old, from across local Classical, Jazz, and Sound Art.
Set in modern-day Seoul, Simon Stone’s The Cherry Orchard finds new urgency in Chekhov’s portrait of a society on the brink.