A giddy-making hayride of a show, Belvoir adapts Bulgakov’s novel with the kind of reckless creativity we imagine was required to write it in the first place.

Provocative and complex, Ella Hickson’s play about the inter-connected realms of empire, resource exploitation and our future rewards the effort it demands.

Fans of the novel won’t feel short-changed, but a bolder approach to its adaptation might have made this a more theatrically satisfying experience.

Much-loved Australian actor Sigrid Thornton talks playing Irina Arkadina in The Seagull, and why risk-taking has become part of her makeup.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

Australia's mainstage theatre companies are shunning Shakespeare in 2024. A much-needed break, or a mistake?

Pip Williams’ best-selling novel The Dictionary of Lost Words is about to see its world premiere on the stage.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

Casting Robert Menzies as King Lear will give audiences a fresh angle on this story of majesty and succession, says Bell Shakespeare's Peter Evans.

Jane Harrison's powerful play offers a very different, thought-provoking perspective on the arrival of the First Fleet.

The 15-play season, 11 by Australian writers, includes a 'cine-theatre' staging of Dracula, a co-pro with Dublin's Gate Theatre, and a new production of the musical Dear Evan Hansen.

Suzie Miller’s celebration of the life and career of US Supreme Court judge Ruth Bader Ginsburg revived for major tour in '24.