Quastie the snowman
Actor Philip Quast prepares to venture into the frozen landscapes of Patricia Cornelius's wintry drama for Sydney Theatre Company.
Actor Philip Quast prepares to venture into the frozen landscapes of Patricia Cornelius's wintry drama for Sydney Theatre Company.
Older audiences are proving resilient to cost-of-living shocks but families and under 35s are feeling increasingly priced out of the performing arts.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
An epic tale full of flawed characters and moral quandaries adapted from the earliest Chinese-language novel published in Australia.
The nuances in US playwright Lynn Nottage's portrait of a last-chance diner are ironed-out in an over-the-top production.
Comedian Judith Lucy steps up in a Beckett classic loaded with dark, existential humour.
Sylvia Khoury’s Pulitzer Prize-nominated Selling Kabul is a play that works like an ornate watch. This production is not ticking perfectly just yet.
Musical Director Zara Stanton on her role in turning a silent movie landmark into the Hayes Theatre's latest show.
UFO is not a play in which a lot actually happens. What makes it completely engaging is the way not a lot happens.
The Melbourne-based writer Patricia Cornelius, who recently turned 70, discusses her much-admired career and how 2023 is going to be a good year.
It might be called Julia, but what Joanna Murray-Smith’s play has its sights on all the time is The Speech.
Fences might strike some as old-fashioned. But this production’s power to immerse you in the lives of others is undeniable.
In the larger national festival ecosystem, the Adelaide Festival retains the original intent of those who set it up more than 60 years ago.