Review: Afternoon Hours (Apeiron Baroque)
The sense of freedom and enthusiasm projected by seven very fine instrumentalists proves infectious.
The sense of freedom and enthusiasm projected by seven very fine instrumentalists proves infectious.
From submerged meditations to turbulent storms, The Oracle is contemporary music at its most evocative.
Your essential coast-to-coast guide to the Australian music being played on our concert stages this month.
Log in to read the flipbook version of Limelight's June 2026 magazine.
Eddy Chen and Brett Yang have become YouTube sensations as TwoSet Violin, taking classical music to new audiences through their tongue-in-cheek videos.
Anne Cawrse knew little about Louis XIV when she was asked to turn an epic poem about the Sun King into a song cycle. So why did she say yes?
Paolo Hooke talks to composer Alex Chilvers, pipa player Lulu Liu and harpsichordist Anthony Abouhamad about Tang Suite, a new work inspired by ancient pipa manuscripts discovered in China’s Mogao Caves.
British violist Lawrence Power chats about Isles of Light, the concert he directs and performs in for the Australian Chamber Orchestra.
This month features Mahler from Bychkov and Runnicles, Pappano’s Planets, a Beethoven project completed, and choral discoveries from a distant branch of the Bach family tree.
This month’s performance highlights from ABC Classic, independent radio and streaming.
Kathryn Selby's 20th anniversary tour delivers a Schubert masterpiece in brilliant style.
Kate Suthers’ inaugural Coriole Festival as artistic director traced a rich musical journey from fin-de-siècle Vienna to the pulsating rhythms of modern America
Kate Fell entices audiences to the Top End with her final program as Artistic Director, offering a magical "world away" experience.