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Classical Music, News
news

“Pay what you can”: Classical Music Australia launches debut season

Bucking inflationary trends, Classical Music Australia promises "accessible pricing" for concerts by Stephen Hough, Anne Sofie von Otter, Pinchas Zuckerman and more.

March 4, 2026
Classical Music
Live Review

Review: Strauss & Mozart (Melbourne Symphony Orchestra)

An object lesson in the art of storytelling with Maestro Martín on flute.

March 4, 2026
Classical Music, Vocal & Choral
CD and Other Review

Review: Of The Body (Luminescence Chamber Singers, Roland Peelman)

From snotty noses to the glory of Tallis, Luminescence have it all covered.

March 4, 2026
Classical Music
features

Harry Ward: Our man in Berlin

Sydney Youth Orchestras alumnus now Berlin Phil player Harry Ward flies in to inspire a new generation of players with eyes on an international career.

March 3, 2026
Classical Music, News
news

2026 Queen Elisabeth International Cello Competition: Aussies make the cut

"A competition at this level is a terrifying, beautiful beast," says Charlotte Miles, who, with Benett Tsai, will represent Australia in the prestigious event.

March 3, 2026
Chamber, Classical Music
features

Australian Accent – March 2026

Your essential coast-to-coast guide to the Australian music being played on our concert stages this month.

March 2, 2026
Classical Music, News
news

AFCM secures star double bassist

The Australian Festival of Chamber Music adds South African-born bassist-conductor Leon Bosch to its roster of international talent.

March 2, 2026
Classical Music
CD and Other Review

Review: Lully: Atys (Les Ambassadeurs – La Grande Écurie, Alexis Kossenko)

Kossenko’s electric take shows why Atys is Lully’s masterpiece.

March 2, 2026
Classical Music
Live Review

Review: Mayhem and Rapture (West Australian Symphony Orchestra)

WASO’s Underground series, presented with Perth Festival, has become the orchestra’s laboratory for the wilfully eclectic.

February 28, 2026
Classical Music
Live Review

Review: Bach: Good Night World (Pygmalion & Adelaide Festival)

A life-altering experience for anyone present, the long-awaited Australian debut of Pygmalion under Raphaël Pichon is a music-making miracle.

February 28, 2026
Chamber, Classical Music
Live Review

Review: Barton & Brodsky (Melbourne Recital Centre)

William Barton and the Brodsky Quartet are friends; and it shows.

February 28, 2026
Classical Music, Vocal & Choral
CD and Other Review

Review: Everything You’ve Ever Lived (Lotte Betts-Dean, Dimitris Soukaras)

A colourful celebration of musical diversity by two fine artists

February 28, 2026
Chamber, Classical Music
Live Review

Review: Flexible Sky (Melbourne Chamber Orchestra)

Latin rhythms, suspenseful harmonies and compelling solos in a blend of the old and new.

February 27, 2026

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