The human hand takes centre stage in a Limelight issue devoted to imagination, craft, rediscovery and reinvention.

Costanzo’s cultural pilgrimage is a virtuoso literary performance.

An old and familiar tragedy made freshly moving in Rodula Gaitanou's powerful production.

Apart from Orchestra Victoria in top form, this concert marking the reopening of Melbourne’s premiere theatre lacked local talent – and a sense of celebration.

During his upcoming Australian tour, the great Welsh bass-baritone will be sharing his favourite music and the knowledge he has accumulated over 40 years in the spotlight.

Gina Williams-Ghouse’s new work Bilya joins Verdi’s Requiem in a season featuring four mainstage productions and a one-night-only Maria Stuarda.

Weill’s melting-pot masterpiece soars in Opera North’s live recording.

Bicket delivers a first-night Cesare that Handel would have recognised.

The 25-year old soprano takes home Australasia's most prestigious classical voice prize for young opera singers.

This new adaptation of Helen Garner’s novel elevates ordinary life through Jane Hammond’s evocative score and the design’s overarching beauty.

Chard made his operatic debut with the inaugural production of the Australian Elizabethan Trust Opera Company – now Opera Australia – and became a star in the UK.

The human hand takes centre stage in a Limelight issue devoted to imagination, craft, rediscovery and reinvention.