Review: Baltic Sounds (Giovanni Consort)
Artistic Director Nicholas Dinopoulos and Giovanni Consort air two works sharing a sublime, monumental beauty.
Will Yeoman is a former senior arts writer and current travel journalist for The West Australian newspaper. A regular contributor to Limelight and Gramophone, he is also Artistic Director of the York Festival and a keen classical guitarist.
Artistic Director Nicholas Dinopoulos and Giovanni Consort air two works sharing a sublime, monumental beauty.
Conductor Riccardo Minasi applies a musicological blowtorch to three favourite works of the Classical period.
Contemporary Australian music for piano played with fluency and intelligence.
A portrait of the great Spanish guitarist from the horse’s mouth.
A novel approach to completing Vivaldi's unfinished opera pays dividends.
HIP Company starts its 2026 season with another example of its imaginative and carefully considered programming.
Ahead of appearances across Australia, Sergej Krylov blazes in his WASO debut.
WASO’s Underground series, presented with Perth Festival, has become the orchestra’s laboratory for the wilfully eclectic.
An illuminating memoir by the BBC director who captured musicians on film.
What does traditional Irish fiddle music gain from being played in a cathedral? Quite a lot, as it turns out.
A Goldberg for the ages as superstar pianist turns his talents to Bach's masterpiece.
Performances of great subtlety, sensitivity and nuance on a night when the softer instruments are allowed to shine.
Ólafsson circles late Beethoven with typically revelatory results.