Review: Beethoven: The Emperor (West Australian Symphony Orchestra)
The third and final leg of a hugely satisfying journey through one of classical music’s most significant achievements.
Will Yeoman is a former senior arts writer and current travel journalist for The West Australian newspaper. A regular contributor to Limelight and Gramophone, he is also Artistic Director of the York Festival and a keen classical guitarist.
The third and final leg of a hugely satisfying journey through one of classical music’s most significant achievements.
Piano works by the master showcased by a true poet of the keyboard.
Czech pianist Lukáš Vondráček electrifies a journey of discovery into the music of classical music's titan.
The star cellist may only be 26, but his story so far comes with plenty of wise words of advice.
Folk and classical meshes seamlessly in terrific trios for clarinet, violin and piano.
Shear’s life with Stokowski and Rostropovich makes a fascinating memoir and much, much more.
A philosopher of the keyboard returns with a thrilling take on a Bach masterpiece.
Leading HIPsters from east and west unite for an intimate, revelatory concert experience.
"Pure magic": Trio Isimsiz embodies the essence of chamber music.
Associate Principal Clarinet Som Howie excels in a showcase helmed by guest conductor Vasily Petrenko.
Performed at Fremantle Prison, Freeze Frame Opera’s Dead Man Walking is a landmark production, opera as catharsis and critique.
A "supremely joyful performance" wraps up WASO's Chamber Series for the year.
A masterful performance of Verdi’s choral masterpiece sets the bar high early and keeps it there for the duration.